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Riga 38: * [[Konrad Boehmer\|Boehmer, Konrad]]. 1967. ''Zur Theorie der offenen Form in der neuen Musik''. Darmstadt: Edition Tonos. (Second printing 1988.) * [[Pierre Boulez\|Boulez, Pierre]]. 1957. "Aléa". ''Nouvelle Revue française'', no. 59 (1 November). Reprinted in Pierre Boulez, ''Relevés d'apprenti'', collected and presented by Paule Thévenin, 41–45. Paris: Éditions du Seuil, 1966. ISBN 2-02-001930-2. English as "Alea" in Pierre Boulez, ''Notes of an Apprenticeship'', collected and presented by Paule Thévenin, translated from the French by Herbert Weinstock, 35–51. New York: Alfred A. Knopf, 1968. New English translation, as "Alea", in Pierre Boulez, ''Stocktakings from an Apprenticeship'', collected and presented by Paule Thévenin, translated from the French by Stephen Walsh, with an introduction by Robert Piencikowski, 26–38. Oxford: Clarendon Press; New York: Oxford University Press, 1991. ISBN 0-19-311210-8. * Fisher, Lynn. 2010. "[~~http~~https://aleacounterpoint.wordpress.com/2010/06/08/orpheus/ An Unlikely Musical Pioneer? Early Aleatory Counterpoint]". ''AleaCounterpoint'' blog site (Accessed 22 June 2010). * Griffiths, Paul. 2001. "Aleatory". ''The New Grove Dictionary of Music and Musicians'', second edition, edited by [[Stanley Sadie]] and [[John Tyrrell (professor of music)\|John Tyrrell]]. London: Macmillan Publishers. * Hovhaness, Alan. 1944. ''Lousadzak'', op. 48 (score). New York: Peer International Corporation. Riga 45: * Joe, Jeongwon, and S. Hoon Song. 2002. "Roland Barthes' 'Text' and Aleatoric Music: Is the Birth of the Reader the Birth of the Listener?". ''Muzikologija'' 2:263–81. * Karlin, Fred, and Rayburn Wright. 2004. ''On the Track: A Guide to Contemporary Film Scoring'', second edition. New York: Routledge. ISBN 0-415-94135-0 (cloth); ISBN 0-415-94136-9 (pbk). * Lieberman, David. 2006. "[~~http~~https://portal.acm.org/citation.cfm?id=1174472 Game Enhanced Music Manuscript]." In ''GRAPHITE '06: Proceedings of the 4th International Conference on Computer Graphics and Interactive Techniques in Australasia and South East Asia, Kuala Lumpur (Malaysia), November 29–December 2, 2006'', edited by Y. T. Lee, Siti Mariyam Shamsuddin, Diego Gutierrez, and Norhaida Mohd Suaib, 245–50. New York: ACM Press. ISBN 1-59593-564-9. * Lotringer, Sylvère. 1998. "Duchamp Werden". In ''Crossings: Kunst zum Hören und Sehen: Kunsthalle Wien, 29.5.-13. 9.1998'' [exhibition catalogue], edited by Cathrin Pichler, 55-61. Ostfildern bei Stuttgart: Cantz. ISBN 3-89322-443-2. * [[Werner Meyer-Eppler\|Meyer-Eppler, Werner]]. 1957. "Statistic and Psychologic Problems of Sound", translated by Alexander Goehr. ''[[Die Reihe]]'' 1 ("Electronic Music"): 55–61. Original German edition, 1955, as "Statistische und psychologische Klangprobleme", ''Die Reihe'' 1 ("Elektronische Musik"): 22–28. Riga 59: == Collegamenti esterni == * {{cita web\|~~http~~https://www.britannica.com/eb/article-9005549/aleatory-music\|Aleatoric music: Enciclopedia britannica}} * [http://artofthestates.org/cgi-bin/genresearch.pl?genre=aleatoric Art of the States: aleatoric] {{Webarchive\|url=https://web.archive.org/web/20120803002656/http://artofthestates.org/cgi-bin/genresearch.pl?genre=aleatoric \|date=3 agosto 2012 }} Composizioni di musica aleatorica di musicisti americani * {{cita web\|http://sunsite.univie.ac.at/Mozart/dice/\|Mozart's Musikalisches Würfelspiel}}

Musica aleatoria: differenze tra le versioni