Mudra: differenze tra le versioni

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Riga 107:
* GAURI, Devi, ''Esoteric Mudrās of Japan: Mudrās of the Garbhadhātu and Vajradhātu Mandalas of Homa and Eighteen-Step Rites, and of Main Buddhas and Bodhisattvas, Gods and Goddesses of Various Sutras and Tantras'', New Delhi, International Academy of Indian Culture and Aditya Prakashan, 1999;
* KLEEN, Tyra de, ''Mudras the Ritual Hand Poses of the Buddha Priest and the Shiva Priests of Bali'', London, Kegan Paul, 1924;''
* MIYATA, Taisen, ''A Study of the Ritual Mudrās in The Shingon Tradition - A Phenomenological Study on the Eighteen Ways of Esoteric Recitation (Jūhachidō Nenju Kubi Shidai: Chūin-ryū) in the Koyasan tradition'', Sacramento, Koyasan Temple, 1984;
* SAUNDERS, E. Dale, ''Mudrā: A Study of Symbolic Gestures in Japanese Buddhist Sculpture'', Princeton, Princeton University Press, 1985 (I ed. 1960);
* Toki, Hôryû; Kawamura, Seiichi, tr, [https://archive.org/details/sidoindzougeste00millgoog "Si-do-in-dzou; gestes de l'officiant dans les cérémonies mystiques des sectes Tendaï et Singon"], Paris, E. Leroux 1899