Technicolor: differenze tra le versioni

''[[Redskin (film)|Redskin]]'' di [[Victor Schertzinger]] ([[1929]]), con parlato sincronizzato, e ''[[L'isola misteriosa (film 1929)|L'isola misteriosa]] (The Mysterious Island)'' ([[1929]]), furono girati quasi interamente in Technicolor Process 3, con poche sequenze in bianco e nero. I film seguenti furono invece girati interamente con questo procedimento: ''[[On with the Show!]]'' ([[1929]]) (il primo film a colori interamente parlato), ''[[Gold Diggers of Broadway]]'' ([[1929]]), ''[[The Show of Shows]]'' ([[1929]]), ''[[Sally (film 1929)|Sally]]'' ([[1929]]), ''[[Se io fossi re]]'' (''The Vagabond King'', [[1930]]), ''[[Follow Thru]]'' ([[1930]]), ''[[Golden Dawn (film 1930)|Golden Dawn]]'' ([[1930]]), ''[[Hold Everything]]'' ([[1930]]), ''[[The Rogue Song]]'' ([[1930]]), ''[[Song of the Flame]]'' ([[1930]]), ''[[Song of the West]]'' ([[1930]]), ''[[The Life of the Party]]'' ([[1930]]), ''[[Sweet Kitty Bellairs (film 1930)|Sweet Kitty Bellairs]]'' ([[1930]]), ''[[The Bride of the Regiment]]'' ([[1930]]), ''[[Mamba (film 1930)|Mamba]]'' ([[1930]]), ''[[Whoopee! (film)|Whoopee!]]'' ([[1930]]), ''[[Il re del jazz (film 1930)|Il re del jazz]]'' ([[1930]]), ''[[Under a Texas Moon]]'' ([[1930]]), ''[[Bright Lights (film 1930)|Bright Lights]]'' ([[1930]]), ''[[Viennese Nights]]'' ([[1931]]), ''[[Woman Hungry]]'' ([[1931]]), ''[[Kiss Me Again]]'' ([[1931]]) e ''[[Fifty Million Frenchmen]]'' ([[1931]]).