File:The Battle of Barfleur, 19 May 1692 RMG BHC0332.tiff

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Richard Paton: The Battle of Barfleur, 19 May 1692  wikidata:Q50853466 reasonator:Q50853466
Artista
Richard Paton  (1717–1791)  wikidata:Q3431102
 
Richard Paton
Nomi alternativi
r. paton; Paten; Paton; Robert Paton; R. Paton, Wardour Street, Soho, London
Descrizione pittore di marina britannico
Data di nascita/morte 1717 Modifica su Wikidata 7 marzo 1791 Modifica su Wikidata
Luogo di nascita/morte Londra Londra
Luogo di attività
Authority file
artist QS:P170,Q3431102
image of artwork listed in title parameter on this page
Titolo
inglese:
The Battle of Barfleur, 19 May 1692 Modifica su Wikidata
title QS:P1476,en:"The Battle of Barfleur, 19 May 1692 Modifica su Wikidata"
label QS:Len,"The Battle of Barfleur, 19 May 1692 Modifica su Wikidata"
label QS:Lfr,"Bataille de Barfleur, 29 mai 1692"
Tipo di oggetto dipinto
object_type QS:P31,Q3305213
Descrizione
English: The Battle of Barfleur, 19 May 1692

A depiction of an action that took place a century earlier, in 1692 during the War of the English Succession, between the French and Anglo-Dutch fleets. The latter was at sea in the Channel in May 1692. The Comte de Tourville was in Bertheaume Bay awaiting a large reinforcement from Toulon. His force was intended to convoy the French invasion fleet which was to put James II back on the English throne. On 17 May he left his anchorage and with 44 ships of the line went in search of Edward Russell, the British commander-in-chief. However, he was inferior to the Anglo-Dutch fleet with a force of less than half their strength, which included 99 ships of the line. He acted rashly by attacking the allied centre and rear. The Dutch were in the van and so were not engaged, and Russell ordered them to double-back. Although the French fleet fought hard they were only saved from destruction by the poor visibility, which became too thick for general fighting in the early afternoon.

The Battle of Barfleur was the prelude to a French disaster. This partly stemmed from Tourville's impatience in not awaiting the arrival of d'Estrées, with his squadron from Toulon. During the evening of 19 May, the wind freshened and the pursuing allies came into partial action again. It was at this point in the battle that Richard Carter, Rear-Admiral of the Blue Squadron, was killed. Throughout 20 May, the chase to the west continued and on the following morning at 11.00 the French 'Soleil Royal', 106 guns, went aground near Cherbourg, Tourville having already disembarked. Together with the majority of his fleet, Tourville took refuge in the Bay of La Hogue. Sir Ralph Delavall's initial attempt to destroy the 'Soleil Royal' and the two large ships with her, the 'Admirable', 90 guns, and the 'Triomphant', 74 guns, was repulsed. However on 22 May, he renewed his attack with his boats and destroyed all three. The same day the rest of the fleet worked its way into the Bay of La Hogue to get within striking distance of the rest of the French fleet. The next day, Monday 23rd, the boats of the fleet were ordered in under Vice-Admiral George Rooke in the 'Neptune', 96 guns. The French ships were so close to the shore that the French cavalry rode into the water to protect them. Altogether, 12 French men-of-war were destroyed, together with several transports. With the destruction of so much of Tourville's fleet, the threat of invasion disappeared.

The centre of the painting is a narrow stretch of water between the converging English and French lines of battle; the French are positioned on the left, with the 'Soleil Royal', in starboard-quarter view, the chief focal point. She is engaged to the right with the 'Britannia', 100 guns, port-quarter view, preceded by the 'London', 96 guns, and followed by the 'St Andrew', 96 guns. In the left background, the 'Royal William', 100 guns, can be seen in close action with one of the other French flagships and in the right background a Dutch Vice-Admiral is in action with a third. In the left foreground, a French two-decker is sinking, stern on, and her crew are transferring to a small vessel under her stern. In the right foreground a small English ketch has been dismasted and the wreck of another ship is depicted in the right foreground.

The artist started his painting career as an assistant to a ship's painter on Sir Charles Knowles's ship, and he rose to become one of the principal painters of naval actions of the18th century.

The Battle of Barfleur, 19 May 1692
Data XVIII sec.
date QS:P571,+1750-00-00T00:00:00Z/7
Tecnica/materiale olio su tela Modifica su Wikidata
Dimensioni Painting: 1295 mm x 2032 mm; Frame: 1570 mm x 2340 mm
institution QS:P195,Q7374509
Ubicazione attuale
Numero d'inventario
BHC0332
Riferimenti
Fonte/Fotografo http://collections.rmg.co.uk/collections/objects/11824
Licenza
(Riusare questo file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Identifier
InfoField
Greenwich Hospital Collection number: GH73
Loan File Number: Y2000.023
entry number: BHC0332
file number: 4G10.031
id number: BHC0332
Collection
InfoField
Oil paintings

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attuale07:45, 29 set 2017Miniatura della versione delle 07:45, 29 set 20174 714 × 2 976 (40,14 MB)Royal Museums Greenwich Oil paintings, http://collections.rmg.co.uk/collections/objects/11824 #1628

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