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File:Welles It's All True.jpg

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Descrizione Publicity photograph of Orson Welles on location in Fortaleza, Brazil, while filming the "Jangadeiros" section of the unfinished film It's All True
Data Scattata il 26 giugno 1942 per RKO production board present in the photograph
Fonte Self scan of black-and-white publicity photograph issued for the documentary It's All True: Based on an Unfinished Film by Orson Welles
Marginal printing on this print credits Paramount Pictures, Copyright 1993
Autore RKO Pictures. No photographer is credited; still photographer Ned Scott was among those who were part of the film crew.
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Although Paramount asserts copyright on the margin of this print released as promotion for a 1993 documentary about the uncompleted project, no photographer is credited and It's All True was a 1942 production of RKO Pictures. No copyright holder is listed for the image as it appears in the section of photographs following page 110 in Simon Callow's Orson Welles: Hello Americans (2006). The book's picture credits on page x concludes with this statement: "The author and publishers have made every effort to trace and contact copyright holders." Likewise, no copyright holder is listed for the image as it appears on page 132 of Robert Stam's Tropical Multiculturalism: A Comparative History of Race in Brazilian Cinema Culture (1997), or page 77 of Joseph McBride's What Ever Happened to Orson Welles? (2006).

As stated by film production expert Eve Light Honthaner in The Complete Film Production Handbook, (Focal Press, 2001 p. 211.):

"Publicity photos have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary."

Nancy Wolff, includes a similar explanation:

"There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them." (The Professional Photographer's Legal Handbook By Nancy E. Wolff, Allworth Communications, 2007, p. 55.)

Film industry author Gerald Mast, in Film Study and the Copyright Law (1989) p. 87, writes:

"According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible."
Kristin Thompson, committee chairperson of the Society for Cinema and Media Studies writes in the conclusion of a 1993 conference with cinema scholars and editors, that they "expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements. . . [and] some trade presses that publish educational and scholarly film books also take the position that permission is not necessary for reproducing frame enlargements and publicity photographs."[1]

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Quest'opera è nel pubblico dominio in quanto pubblicata negli Stati uniti tra il 1929 e il 1963 con un avviso di copyright, ma il copyright non è stato poi rinnovato. A meno che l'autore non sia deceduto da diversi anni, è protetta da copyright nei Paesi o nelle aree in cui non si applica la regola della durata più breve per le opere statunitensi, come Canada (70 pma), Cina (50 pma, non Hong Kong o Macao), Germania (70 pma), Messico (100 pma), Svizzera (70 pma) e altri Paesi con trattati individuali. Vedi Commons:Hirtle chart per ulteriori approfondimenti.

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attuale21:30, 24 apr 2024Miniatura della versione delle 21:30, 24 apr 20242 440 × 1 766 (1,93 MB)WFinch{{Information |Description=Publicity photograph of Orson Welles on location in Fortaleza, Brazil, while filming the "Four Men on a Raft" section of the unfinished film ''It's All True'' |Source=Self scan of black-and-white publicity photograph issued for the documentary ''It's All True: Based on an Unfinished Film By Orson Welles''<br>Marginal printing on this print credits Paramount Pictures, Copyright 1993 |Date={{taken on|1942-06-26}} per RKO production board present in the photograph |Aut...

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