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Riga 102: Many dance auditions test the ability of applicants to learning new [[choreography]] in a short time period, rather than showcasing a prepared work. In other cases, a short prepared solo piece may also be required (about 90 seconds long). Applicants will be instructed in a technical routine or pattern in a group session. Some auditions require applicants to have completed training at a recognised dance school or conservatoire, and in some cases, auditionees may be requested to bring a reference letter from a dance teacher or dance company director (especially in the case of young dancers with little professional experience). At some auditions, applicants are asked to make a short verbal statement about their dancing goals or why they wish to join the troupe. Auditionees should ensure that they know the major dance terms, because the judges may request that certain dance moves be demonstrated. Dancers are often asked to bring one or two photographs, such as a "headshot" and a full-body photo of the applicant in a dancing pose. The clothing that auditionees need to wear at auditions varies. At some auditions, particularly Classical auditions, there is a strict dress code: applicants must wear dance leotards and pointe shoes, and long hair must be tied back. Other dance auditions specify loose clothing. For some contemporary dance auditions, applicants must dance barefoot. In some music theater roles, applicants need to bring tap shoes to demonstrate their [[tap dancing]] skills. Some auditions where there is a large number of applicants require the performers to wear a number pinned to their shirt, in a similar way to marathon runners. This way, if the casting director sees an exceptional dancer, he or she can take note of the number. Unless jewellery or make-up is an expected part of a dancer's appearance in a certain dance style, dance auditionees should generally avoid jewellery and makeup.--> Mel teatro musicale o nella musica pop, c'è molta contaminazione tra i ruoli di danza e di canto. Quasi sempre, ai danzatori impegnati in questo tipo di performance, viengono richeste doti canore per poter essere inseriti nel [[coro]] (per canatre linee vocali che armonizzano o accompagnano il canto del solista). In rari casi viene richiesto ai danzatori di dimostrare la loro capacità nel suonare strumenti musicali, inquanto ci sono alcune produzioni che richiedono ai danzatori-attori di suonare durante lo spettacolo come accade, ad esempio, nell' [[Opera da tre soldi]] di [[Bertolt Brecht]]. In music theater and pop music, there is a lot of crossover between dancing and singing roles. Almost all dancers in music theater and many dancers in pop music will be expected to have some singing ability as a [[backup singer]] (singing harmony parts to accompany the solo vocalists). In rarer cases, dancers will be asked to demonstrate the ability to play a musical instrument (e.g., guitar), because there are some shows in which some of the dancer-actors have to play instruments onstage, such as the ''[[Threepenny Opera]]''. In music theater, there is also often crossover between dancing and acting roles. Dancers may be expected to be able to take on an acting role and speak lines (often in a supporting role). Nel teatro musicale e nel Musical è spesso richiesto l'unione tra doti di danzatore e di attore; Ai danzatori viene quindi richiesto di essere in grado di sostenere una parte recitata. Alcune tra le maggiori compagnie di danza, indicono annualmente i cosidetti "open calls", audizioni aperte dove tutti (o quasi tutti) i danzatori interessati possono dimostrare le loro capacità nella danza. Solitamente, durante questo tipo di audizioni, a tutti i pretendenti viene insegnata una routine da un coreografo e l'intero gruppo performa la medesima coreografia mentre la commissione valuta i danzatori. Essere notato agli open calls può essere difficile anche per alcuni bravi danzatori, per questo motivo alcuni insegnati di danza incoraggiano i loro allievi più dotati a fissare appuntamenti individuali con le compagnie di danza, in modo da avere maggiore attenzione da parte della commissione interna. Some major dance companies have "open calls" once a year, in which any or almost any applicant can come to demonstrate their dancing skills. At these open calls, the entire group of applicants are taught a dance routine by a choreographer, and then the group of dancers performs the routine while judges assess their performance. It can be hard for a good dancer to get noticed by the judges in such a large group of dancers. For this reason, some dance coaches encourage their students to make an individual appointment at a dance company, so that the dancer will get personal attention during his or her audition. For any audition interviews, dancers should send their resume and headshot to the company director ahead of time. --> == Circhi e parchi di divertimento ==

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