Composizioni di Henry Purcell

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1leftarrow blue.svgVoce principale: Henry Purcell.

Questa è una lista delle composizioni musicali di Henry Purcell.

Henry Purcell, ritratto di John Closterman

Per codice ZModifica

Composizioni elencate secondo il catalogo Zimmermann (Franklin B. Zimmerman).

Hail to this happy place (info file)
Welcome to all the pleasures - Ode for St Cecilia's Day 1683

Beauty, thou scene of love (info file)
Welcome to all the pleasures - Ode for St Cecilia's Day 1683

While joys celestial (info file)
Welcome to all the pleasures - Ode for St Cecilia's Day 1683

Anthems [Z 1–65]Modifica

  • Z 1, Verse Anthem, "Awake, put on thy strength" (c. 1682–85)
  • Z 2, Verse Anthem, "Behold, I bring you glad tidings" (1687)
  • Z 3, Verse Anthem, "Behold now, praise the Lord" (c. 1680)
  • Z 4, Verse Anthem, "Be merciful unto me" (prima del 1683)
  • Z 5, Verse Anthem, "Blessed are they that fear the Lord" (1688)
  • Z 6, Verse Anthem, "Blessed be the Lord my strength" (prima del 1679)
  • Z 7, Verse Anthem, "Blessed is he that considereth the poor" (c. 1688)
  • Z 8, Verse Anthem, "Blessed is he whose unrighteousness is forgiven" (c. 1680–92)
  • Z 9, Verse Anthem, "Blessed is the man that feareth the Lord" (c. 1688)
  • Z 10, Full Anthem, "Blow up the trumpet in Sion" (prima del 1679)
  • Z 11, Verse Anthem, "Bow down thine ear, O Lord" (c. 1680–82)
  • Z 12, Verse Anthem, "Give sentence with me, O Lord" (prima del 1681)
  • Z 13, Verse Anthem, "Hear me, O Lord, and that soon" (c. 1680–82) – [Ci sono due arrangiamenti di questo pezzo, rispettivamente: Z 13A e Z 13B]
  • Z 14, Verse Anthem, "Hear my prayer, O God" (prima del 1683)
  • Z 15, Full Anthem, "Hear my prayer, O Lord" (prima del 1683)
  • Z 16, Verse Anthem, "In thee, O Lord, do I put my trust" (c. 1682)
  • Z 17, Full Anthem, "In the midst of life" (prima del 1682) – [Ci sono due arrangiamenti di questo pezzo, rispettivamente: Z 17A e Z 17B]
  • Z 18, Verse Anthem, "It is a good thing to give thanks" (c. 1682–85)
  • Z 19, Verse Anthem, "I was glad when they said unto me" (c. 1682–83)
  • Z 20, Verse Anthem, "I will give thanks unto Thee, O Lord" (c. 1682–85)
  • Z 21, Verse Anthem, "I will give thanks unto the Lord" (c. 1680–82)
  • Z 22, Full Anthem, "I will sing unto the Lord" (prima del 1679)
  • Z 23, Verse Anthem, "Let God arise" (prima del 1679)
  • Z 24, Verse Anthem, "Let mine eyes run down with tears" (c. 1682)
  • Z 25, Full Anthem, "Lord, how long wilt Thou be angry?" (c. 1680–82)
  • Z 26, Verse Anthem, "Lord, who can tell how oft he offendeth?" (c. 1677)
  • Z 27, Full Anthem, "Man that is born of woman" (c. 1680–82)
  • Z 28, Verse Anthem, "My beloved spake" (prima del 1677)
  • Z 29, Verse Anthem, "My heart is fixed, O God" (c. 1682–85)
  • Z 30, Verse Anthem, "My heart is inditing" (1685)
  • Z 31, Verse Anthem, "My song shall be always" (1690)
  • Z 32, Verse Anthem, "O consider my adversity" (Sconosciuto)
  • Z 33, Verse Anthem, "O give thanks unto the Lord" (1693)
  • Z 34, Full Anthem, "O God, the king of glory" (prima del 1679)
  • Z 35, Full Anthem, "O God, thou art my god" (c. 1680–82)
  • Z 36, Full Anthem, "O God, thou has cast us out" (c. 1680–82)
  • Z 37, Full Anthem, "O Lord God of hosts" (c. 1680–82)
  • Z 38, Verse Anthem, "O Lord, grant the King a long life" (1685)
  • Z 39, Verse Anthem, "O Lord, our governor" (prima del 1679)
  • Z 40, Verse Anthem, "O Lord, rebuke me not" (Sconosciuto)
  • Z 41, Verse Anthem, "O Lord, Thou art my God" (c. 1680–82)
  • Z 42, Verse Anthem, "O praise God in his holiness" (c. 1682–85)
  • Z 43, Verse Anthem, "O praise the Lord, all ye heathen" (prima del 1681)
  • Z 44, Verse Anthem, "O sing unto the Lord" (1688)
  • Z 45, Verse Anthem, "Out of the deep have I called" (c. 1680)
  • Z 46, Verse Anthem, "Praise the Lord, O Jerusalem" (1689) – [C'è un altro Z 46, un frammento di un Verse Anthem, "Praise the Lord, ye servants"]
  • Z 47, Verse Anthem, "Praise the Lord, O my soul, and all that is within me" (c. 1682–85)
  • Z 48, Verse Anthem, "Praise the Lord, O my soul, O Lord my God" (1687)
  • Z 49, Verse Anthem, "Rejoice in the Lord always" (c. 1682–85)
  • Z 50, Full Anthem, "Remember not, Lord, our offences" (c. 1679–82)
  • Z 51, Full Anthem, "Save me, O God" (prima del 1681)
  • Z 52, Verse Anthem, "Sing unto God" (1687)
  • Z 53, Verse Anthem, "The Lord is king, be the people never so impatient" (Sconosciuto)
  • Z 54, Verse Anthem, "The Lord is King, the earth may be glad [medesimo]" (1688)
  • Z 55, Verse Anthem, "The Lord is my light" (c. 1682–85)
  • Z 56, Verse Anthem, "The way of God is an undefiled way" (1694)
  • Z 57, Verse Anthem, "They that go down to the sea in ships" (1685)
  • Z 58, Verse Anthem, "Thou know'st, Lord, the secrets of our hearts" (1687) – [Ci sono due arrangiamenti di questo pezzo, rispettivamente: Z 58A Z 58B, e un successivo Z 58C, che è un Full Anthem]
  • Z 59, Full Anthem, "Thy righteousness, O God, is very high" (Sconosciuto)
  • Z 60, Verse Anthem, "Thy way, O God, is holy" (1687)
  • Z 61, Verse Anthem, "Thy word is a lantern unto my feet" (Sconosciuto)
  • Z 62, Verse Anthem, "Turn thou us, O good Lord" (Sconosciuto)
  • Z 63, Verse Anthem, "Unto Thee will I cry" (c. 1682–85)
  • Z 64, Verse Anthem, "Who hath believed our report?" (c. 1679–80)
  • Z 65, Verse Anthem, "Why do the heathen so furiously rage together?" (c. 1682–85)

Inni e canti sacri [Z 101–200]Modifica

  • Z 101, Ritornello, "Joy, mirth, triumphs I do defy" (Sconosciuto) – [Probabilmente in origine un Alleluja]
  • Z 103, Canone, "Gloria Patri et Filio" (c. 1680)
  • Z 104, Canone, "Gloria Patri et Filio" – Canone 3 in 1 (c. 1680)
  • Z 105, Canone, "Gloria Patri et Filio" – Canone 4 in 1 per arsin et thesin (c. 1680)
  • Z 106, Canone, "Gloria Patri et Filio" – Canone 4 in 1 (c. 1680)
  • Z 107, Canone, "Gloria Patri et Filio" – Canone 7 in 1 all'unisono (Sconosciuto)
  • Z 108, Canone, "Laudate Dominum" – Canone 3 in 1 (Sconosciuto)
  • Z 109, Canone, "Misere Mei" – Canone 4 in 2 (pubblicato 1687)
  • Z 120, Canto in la minore (Sconosciuto) – [Z 120 fino al Z 125 sono di provenienza dubbia]
  • Z 121, Canto in sol maggiore (Sconosciuto)
  • Z 122, Canto in sol maggiore (Sconosciuto)
  • Z 123, Canto in re minore (Sconosciuto)
  • Z 124, Canto in sol maggiore (Sconosciuto)
  • Z 125, Canto in sol minore (Sconosciuto)
  • Z 130, Inno, "Ah! few and full of sorrow" (c. 1680)
  • Z 131, Inno, "Beati omnes [qui timent Dominum]" (c. 1680)
  • Z 132, Inno, "Early, O Lord, my fainting soul" (c. 1680)
  • Z 133, Inno, "Hear me, O Lord, the great support" (1680–82)
  • Z 134, Inno, "In guilty night" (pubblicato 1693)
  • Z 135, Inno, "Jehova, quam multi sunt [hestes]" (c. 1680)
  • Z 136, Inno, "Lord, I can suffer thy rebukes" (c. 1680)
  • Z 137, Inno, "Lord, not to us, but to thy name" (c. 1680)
  • Z 138, Inno, "O all ye people, clap your hands" (c. 1680)
  • Z 139, Inno, "O happy man that fears the Lord" (Sconosciuto)
  • Z 140, Inno, "O, I'm sick of life" (c. 1680)
  • Z 141, Inno, "O Lord our governor" (c. 1680)
  • Z 142, Inno, "Plung'd in the confines of despair" (c. 1680)
  • Z 143, Inno, "Since God, so tender a regard" (c. 1680)
  • Z 144, Inno, "When on my sickbed I languish" (c. 1680)
  • Z 181, Inno, "Awake, and with attention hear" (pubblicato 1681)
  • Z 182, Inno, "Awake, ye dead" (pubblicato 1693)
  • Z 183, Inno, "Begin the song, and strike the living lyre" (pubblicato 1681)
  • Z 184, Inno, "Close thine eyes and sleep secure" (pubblicato 1688)
  • Z 185, Inno, "Full of wrath his threatening breath" (Sconosciuto)
  • Z 186, Inno, "Great God and just" (pubblicato 1688)
  • Z 187, Inno, "Hosanna to the highest" (Sconosciuto)
  • Z 188, Inno, "How have I strayed" (pubblicato 1688)
  • Z 189, Inno, "How long, great God?" (pubblicato 1688)
  • Z 190, Inno, "In the black dismal dungeon of despair" (pubblicato 1688)
  • Z 191, Inno, "Let the night perish" (pubblicato 1688)
  • Z 192, Inno, "Lord, what is man?" (pubblicato 1693)
  • Z 193, Inno, "Now that the sun hath veiled his light" (pubblicato 1688)
  • Z 195, Inno, "Sleep, Adam[, sleep and take thy rest]" (pubblicato 1688)
  • Z 196, Inno, "Tell me, some pitying angel" (pubblicato 1693)
  • Z 197, Inno, "The earth trembled" (pubblicato 1688)
  • Z 198, Inno, "Thou wakeful shepherd" (pubblicato 1688)
  • Z 199, Inno, "We sing to him, whose wisdom form'd the ear" (pubblicato 1688)
  • Z 200, Inno, "With sick and famish'd eyes" (pubblicato 1688)

Servizi [Z 230–232]Modifica

  • Z 230/1, Servizio del mattino, "Te Deum Laudamus in si-diesis maggiore" (prima del 1682)
  • Z 230/2, Servizio del mattino, "Benedictus in si-diesis maggiore" (prima del 1682)
  • Z 230/3, Servizio del mattino, "Benedicite Omnia Opera in si-diesis maggiore" (prima del 1682)
  • Z 230/4, Servizio del mattino, "Jubilate Deo in si-diesis maggiore" (prima del 1682)
  • Z 230/5, Servizio per la Comunione, "Kyrie Eleison in si-diesis maggiore" (prima del 1682)
  • Z 230/6, Servizio per la Comunione, "Nicene Creed in si-diesis maggiore" (prima del 1682)
  • Z 230/7, Servizio della sera, "Magnificat in si-diesis maggiore" (prima del 1682)
  • Z 230/8, Servizio della sera, "Nunc dimittis in si-diesis maggiore" (prima del 1682)
  • Z 230/9, Servizio della sera, "Cantate Domino in si-diesis maggiore" (prima del 1682)
  • Z 230/10, Servizio della sera, "Deus misereator in si-diesis maggiore" (prima del 1682)
  • Z 231, Servizio della sera, "Magnificat and Nunc dimittis in sol minore" (Sconosciuto)
  • Z 232, Servizio della sera, "Te Deum and Jubilate Deo in re maggiore" (1694)

Ritornelli [Z 240–292]Modifica

  • Z 240, Ritornello, "A health to the nut-brown lass" (1685)
  • Z 241, Ritornello, "An ape, a lion, a fox and an ass" (1686)
  • Z 242, Ritornello, "As Roger last night to Jenny lay close" (Sconosciuto)
  • Z 243, Ritornello, "Bring the bowl and cool Nantz" (1693–94)
  • Z 244, Ritornello, "Call for the reckoning" (Sconosciuto)
  • Z 245, Ritornello, "Come let us drink" (Sconosciuto)
  • Z 246, Ritornello, "Come my hearts, play your parts" (1685)
  • Z 247, Ritornello, "Down, down with Bacchus" (1693)
  • Z 248, Ritornello, "Drink on till night be spent" (1686)
  • Z 249, Ritornello, "Full bags, a brisk bottle" (1686)
  • Z 250, Ritornello, "God save our sovereign Charles" (1685)
  • Z 251, Ritornello, "Great Apollo and Bacchus" (Sconosciuto)
  • Z 252, Ritornello, "Here's a health, pray let it pass" (Sconosciuto)
  • Z 253, Ritornello, "Here's that will challenge all the fair" (1680)
  • Z 254, Ritornello, "He that drinks is immortal" (1686)
  • Z 255, Ritornello, "If all be true that I do think" (1689)
  • Z 256, Ritornello, "I gave her cakes and I gave her ale" (1690)
  • Z 257, Ritornello, "Is Charleroy's siege come too?" (1693)
  • Z 258, Ritornello, "Let the grave folks go preach" (1685)
  • Z 259, Ritornello, "Let us drink to the blades" (1691)
  • Z 260, Ritornello, "My lady's coachman, John" (1688)
  • Z 261, Ritornello, "Now England's great council's assembled" (1685)
  • Z 262, Ritornello, "Now, now we are met and humours agree" (1688)
  • Z 263, Ritornello, "Of all the instruments that are" (1693)
  • Z 264, Ritornello, "Once in our lives let us drink to our wives" (1686)
  • Z 265, Ritornello, "Once, twice, thrice, I Julia tried" (Sconosciuto)
  • Z 266, Ritornello, "One industrious insect" (Sconosciuto)
  • Z 267, Ritornello, "Pale faces, stand by" (1688)
  • Z 268, Ritornello, "Pox on you for a fop" (Sconosciuto)
  • Z 269, Ritornello, "Prithee be n't so sad and serious" (Sconosciuto)
  • Z 270, Ritornello, "Room for th'express" (1694)
  • Z 271, Ritornello, "Since the duke is return's" (1685)
  • Z 272, Ritornello, "Since time so kind to us does prove" (Sconosciuto)
  • Z 273, Ritornello, "Sir Walter enjoying his damsel" (Sconosciuto)
  • Z 274, Ritornello, "Soldier, soldier, take off thy wine" (Sconosciuto)
  • Z 275, Ritornello, "Sum up all the delights" (1688)
  • Z 276, Ritornello, "The Macedon youth" (1686)
  • Z 277, Ritornello, "The miller's daughter riding" (1686)
  • Z 278, Ritornello, "The surrender of Limerick" (1691)
  • Z 279, Ritornello, "'Tis easy to force" (1685)
  • Z 280, Ritornello, "'Tis too late for a coach" (1686)
  • Z 281, Ritornello, "'Tis women makes us love" (1685)
  • Z 282, Ritornello, "To all lovers of music" (1687)
  • Z 283, Ritornello, "To thee, to thee and to a maid" (1685)
  • Z 284, Ritornello, "True Englishmen drink a good health" (c. 1689)
  • Z 285, Ritornello, "Under a green elm lies Luke Shepherd's helm" (1686)
  • Z 286, Ritornello, "Under this stone lies Gabriel John" (1686)
  • Z 287, Ritornello, "When V and I together meet" (1686)
  • Z 288, Ritornello, "Who comes there?" (1685)
  • Z 289, Ritornello, "Wine in a morning makes us frolic and gay" (1686)
  • Z 290, Ritornello, "Would you know how we meet" (1685)
  • Z 291, Ritornello, "Young Colin cleaving of a beam" (1691)
  • Z 292, Ritornello, "Young John the gard'ner" (1683)

Odi e canti di benvenuto [Z 320–344]Modifica

  • Z 320, Ode, "Arise my Muse" (1690)
  • Z 321, Ode, "Celebrate this festival" (1693)
  • Z 322, Ode, "Celestial music did the gods inspire" (1689)
  • Z 323, Ode, "Come Ye Sons of Art" (1694)
  • Z 324, Ode, "Fly, bold rebellion" (1683)
  • Z 325, Ode, "From hardy climes and dangerous toils of war" (1683)
  • Z 326, Ode, "From those serene and rapturous joys" (1684)
  • Z 327, Ode, "Great parent, hail!" (1694)
  • Z 328, Ode, "Hail, bright Cecilia!" (1692)
  • Z 329, Ode, "Laudate Ceciliam" (1683)
  • Z 331, Ode, "Love's goddess sure was blind" (1692)
  • Z 332, Ode, "Now does the glorious day appear" (1689)
  • Z 333, Ode, "Of old when heroes thought it base" (1690)
  • Z 334, Ode, "Raise raise the voice" (c. 1685)
  • Z 335, Ode, "Sound the trumpet, beat the drum" (1678)
  • Z 336, Ode, "Swifter, Isis, swifter flow" (1681)
  • Z 337, Ode, "The summer's absence unconcerned we bear" (1682)
  • Z 338, Ode, "Welcome, welcome glorious morn" (1691)
  • Z 339, Ode, "Welcome to all the pleasures" (1683)
  • Z 340, Ode, "Welcome, vicegerent of the mighty king" (1680)
  • Z 341, Ode, "What, what shall be done in behalf of the man?" (1682)
  • Z 342, Ode, "Who can from joy refrain?" (1695)
  • Z 343, Ode, "Why, why are all the Muses mute?" (1685)
  • Z 344, Ode, "Ye tuneful Muses" (1686)

Canzoni [Z 351–547]Modifica

  • Z 351, Canzone, "Aaron thus propos'd to Moses" (1688) – Probabilmente non di Purcell
  • Z 352, Canzone, "Ah! Cruel nymph, you give despair" (Sconosciuto)
  • Z 353, Canzone, "Ah! how pleasant 'tis to love" (1688)
  • Z 354, Canzone, "Ah! Cruel nymph, you give despair" (Sconosciuto)
  • Z 355, Canzone, "Amidst the shades and cool refreshing streams" (1687)
  • Z 356, Canzone, "Amintas, to my grief I see" (1679)
  • Z 357, Canzone, "Amintor, heedless of his flocks" (1681)
  • Z 358, Canzone, "Ask me to love no more" (1694)
  • Z 359, Canzone, "A thousand sev'ral ways I tried" (1684)
  • Z 360, Canzone, "Bacchus is a power divine" (Sconosciuto)
  • Z 361, Canzone, "Beware, poor Shepherds" (1684)
  • Z 362, Canzone, "Cease, anxious world" (1687)
  • Z 363, Canzone, "Cease, O my sad soul" (1678)
  • Z 364, Canzone, "Celia's fond, too long I've loved her" (1694)
  • Z 365, Canzone, "Corinna is divinely fair" (1692)
  • Z 367, Canzone, "Cupid, the slyest rogue alive" (1685)
  • Z 368, Canzone, "Farewell, all joys" (1685)
  • Z 369, Canzone, "Fly swift, ye hours" (1692)
  • Z 370, Canzone, "From silent shades and the Elysian groves" (1683)
  • Z 371, Canzone, "Hears not my Phyllis" (1695)
  • Z 372, Canzone, "He himself courts his own ruin" (1684)
  • Z 373, Canzone, "How delightful's the life of an innocent swain" (Sconosciuto)
  • Z 374, Canzone, "How I sigh when I think of the charms" (1681)
  • Z 375, Canzone, "I came, I saw, and was undone" (Sconosciuto)
  • Z 376, Canzone, "I envy not a monarch's fate" (1693)
  • Z 377, Canzone, "I fain would be free" (Sconosciuto)
  • Z 378, Canzone, "If grief has any power to kill" (1685)
  • Z 379, Canzone, "If music be the food of love" (1692–1695)
  • Z 380, Canzone, "If prayers and tears" (Sconosciuto)
  • Z 381, Canzone, "I lov'd fair Celia" (1694)
  • Z 382, Canzone, "I love and I must" (Sconosciuto)
  • Z 383, Canzone, "Incassum Lesbia, incassum rogas" (1695)
  • Z 384, Canzone, "In Cloris all soft charms" (1684)
  • Z 385, Canzone, "In vain we dissemble" (1685)
  • Z 386, Canzone, "I resolve against cringing" (1679)
  • Z 387, Canzone, "I saw that you were grown so high" (1678)
  • Z 388, Canzone, "I take no pleasure in the sun's bright beams" (1681)
  • Z 389, Canzone, "Leave these useless arts in loving" (Sconosciuto)
  • Z 390, Canzone, "Let each gallant heart" (1683)
  • Z 391, Canzone, "Let formal lovers still pursue" (1687)
  • Z 392, Canzone, "Love arms himself in Celia's eyes" (Sconosciuto)
  • Z 393, Canzone, "Love is now become a trade" (1685)
  • Z 394, Canzone, "Lovely Albina's come ashore" (Sconosciuto)
  • Z 395, Canzone, "Love's power in my heart shall find no compliance" (1688)
  • Z 396, Canzone, "Love, thou canst hear, tho' thou art blind" (1695)
  • Z 397, Canzone, "More love or more disdain I crave" (1678)
  • Z 399, Canzone, "My heart, wherever you appear" (1685)
  • Z 400, Canzone, "Not all my torments can your pity move" (Sconosciuto)
  • Z 401, Canzone, "No watch, dear Celia, just is found" (1693)
  • Z 402, Canzone, "O! fair Cedaria, hide those eyes" (Sconosciuto)
  • Z 403, Canzone, "O! how happy's he" (1690)
  • Z 404, Canzone, "Olinda in the shades unseen" (Sconosciuto)
  • Z 405, Canzone, "On the brow of Richmond Hill" (1692)
  • Z 406, Canzone, "O solitude, my sweetest choice" (1687)
  • Z 407, Canzone, "Pastora's beauties when unblown" (1681)
  • Z 408, Canzone, "Phyllis, I can ne'er forgive it" (1688)
  • Z 409, Canzone, "Phillis, talk no more of passion" (1685)
  • Z 410, Canzone, "Pious Celinda goes to prayers" (1695)
  • Z 411, Canzone, "Rashly I swore I would disown" (1683)
  • Z 412, Canzone, "Sawney is a bonny lad" (1694)
  • Z 413, Canzone, "She loves and she confesses too" (1683)
  • Z 414, Canzone, "She that would gain a faithful lover" (1695)
  • Z 415, Canzone, "She who my poor heart possesses" (1683)
  • Z 416, Canzone, "Since one poor view has drawn my heart" (1681)
  • Z 417, Canzone, "Spite of the godhead, pow'rful love" (1687)
  • Z 418, Canzone, "Sweet, be no longer sad" (1678)
  • Z 420, Canzone, "Sylvia, now your scorn give over" (1688)
  • Z 421, Canzone, "The fatal hour comes on apace" (Sconosciuto)
  • Z 422, Canzone, "They say you're angry" (1685)
  • Z 423, Canzone, "This poet sings the Trojan wars" (1688)
  • Z 424, Canzone, "Through mournful shades and solitary groves" (1684)
  • Z 425, Canzone, "Turn then thine eyes" (Sconosciuto)
  • Z 426, Canzone, "Urge me no more" (Sconosciuto)
  • Z 427, Canzone, "We now, my Thyrsis, never find" (1693)
  • Z 428, Canzone, "What a sad fate is mine" (Sconosciuto)
  • Z 429, Canzone, "What can we poor females do?" (1694)
  • Z 430, Canzone, "When first Amintas sued for a kiss" (1687)
  • Z 431, Canzone, "When first my shepherdess and I" (1687)
  • Z 432, Canzone, "When her languishing eyes said 'love'" (1681)
  • Z 433, Canzone, "When I a lover pale do see" (1678)
  • Z 434, Canzone, "When my Aemelia smiles" (Sconosciuto)
  • Z 435, Canzone, "When Strephon found his passion vain" (1683)
  • Z 436, Canzone, "When Thyrsis did the splendid eye" (1675)
  • Z 437, Canzone, "While Thyrsis, wrapt in downy sleep" (1685)
  • Z 438, Canzone, "Whilst Cynthia sung, all angry winds lay still" (1686)
  • Z 440, Canzone, "Who but a slave can well express" (Sconosciuto)
  • Z 441, Canzone, "Who can behold Florella's charms?" (1695)
  • Z 442, Canzone, "Why so serious, why so grave?" (Sconosciuto)
  • Z 443, Canzone, "Ye happy swains, whose nymphs are kind" (1685)
  • Z 444, Canzone, "Stript of their green our groves appear" (1692)
  • Z 461, Canzone, "Beneath a dark and melancholy grove" (Sconosciuto)
  • Z 462, Canzone, "Draw near, you lovers" (Sconosciuto)
  • Z 463, Canzone, "Farewell, ye rocks" (1685)
  • Z 464, Canzone, "Gently shepherds, you that know" (1687)
  • Z 465, Canzone, "High on a throne of glitt'ring ore" (1690)
  • Z 466, Canzone, "Let us, kind Lesbia, give away" (1684)
  • Z 467, Canzone, "Musing on cares of human fate" (1685)
  • Z 468, Canzone, "No, to what purpose should I speak" (Sconosciuto)
  • Z 469, Canzone, "Scarce had the rising sun appear'd" (1679)
  • Z 470, Canzone, "See how the fading glories of the year" (1689)
  • Z 471, Canzone, "Since the pox or the plague" (1679)
  • Z 472, Canzone, "What hope for us remains now he is gone?" (1679)
  • Z 473, Canzone, "Young Thyrsis' fate, ye hills and groves, deplore" (Sconosciuto)
  • Z 482, Canzone, "Alas, how barbarous we are" (Sconosciuto)
  • Z 483, Canzone, "Come, dear companions of th'Arcadian fields" (1686)
  • Z 484, Canzone, "Come, lay by all care" (1685)
  • Z 485, Canzone, "Dulcibella, when e'er I sue for a kiss" (1694)
  • Z 486, Canzone, "Fair Cloe, my breast so alarms" (1692)
  • Z 487, Canzone, "Fill the bowl with rosy wine" (1687)
  • Z 489, Canzone, "Go tell Amynta, gentle swain" (Sconosciuto)
  • Z 490, Canzone, "Haste, gentle Charon" (Sconosciuto)
  • Z 491, Canzone, "Has yet your breast no pity learn'd?" (1688)
  • Z 492, Canzone, "Hence, fond deceiver" (1687)
  • Z 493, Canzone, "Here's to thee, Dick" (1688)
  • Z 494, Canzone, "How great are the blessings 'A Health to King James'" (1686)
  • Z 495, Canzone, "How sweet is the air and refreshing" (1687)
  • Z 496, Canzone, "In all our Cynthia's shining sphere" (Sconosciuto)
  • Z 497, Canzone, "In some kind dream" (1687)
  • Z 498, Canzone, "I saw fair Cloris all alone" (1687)
  • Z 499, Canzone, "I spy Celia, Celia eyes me" (1687)
  • Z 500, Canzone, "Julia, your unjust disdain" (1687)
  • Z 501, Canzone, "Let Hector, Achilles and each brave commander" (1689)
  • Z 502, Canzone, "Lost is my quiet forever" (1691)
  • Z 503, Canzone, "Nestor, who did to thrice man's age attain" (1689)
  • Z 504, Canzone, "O dive custos Auriacae domus" (1695)
  • Z 505, Canzone, "Oft am I by the women told" (1687)
  • Z 506, Canzone, "Oh! what a scene does entertain my sight" (Sconosciuto)
  • Z 507, Canzone, "Saccharissa's grown old" (1686)
  • Z 508, Canzone, "See where she sits" (Sconosciuto)
  • Z 509, Canzone, "Sit down, my dear Sylvia" (1685)
  • Z 510, Canzone, "Soft notes and gently raised" (1685)
  • Z 511, Canzone, "Sylvia, thou brighter eye of night" (Sconosciuto)
  • Z 512, Canzone, "Sylvia, 'tis true you're fair" (1686)
  • Z 513, Canzone, "There never was so wretched lover as I" (Sconosciuto)
  • Z 514, Canzone, "Though my mistress be fair" (1685)
  • Z 515, Canzone, "Trip it, trip it in a ring" (Sconosciuto)
  • Z 516, Canzone, "Underneath this myrtle shade" (1692)
  • Z 517, Canzone, "Were I to choose the greatest bliss" (1689)
  • Z 518, Canzone, "What can we poor females do?" (Sconosciuto)
  • Z 519, Canzone, "When gay Philander left the plain" (1984)
  • Z 520, Canzone, "When, lovely Phyllis, thou art kind" (1985)
  • Z 521, Canzone, "When Myra sings" (1695)
  • Z 522, Canzone, "When Teucer from his father fled" (1686)
  • Z 523, Canzone, "While bolts and bars my days control" (Sconosciuto)
  • Z 524, Canzone, "While you for me alone had charms" (Sconosciuto)
  • Z 525, Canzone, "Why, my Daphne, why complaining?" (1691)
  • Z 541, Canzone, "Hark Damon, hark" (Sconosciuto)
  • Z 542, Canzone, "Hark how the wild musicians sing" (Sconosciuto)
  • Z 543, Canzone, "How pleasant is this flowery plain" (1688)
  • Z 544, Canzone, "If ever I more riches did desire" (Sconosciuto)
  • Z 545, Canzone, "In a deep vision's intellectual scene 'The Complaint'" (Sconosciuto)
  • Z 546, Canzone, "'Tis wine was made to rule the day" (Sconosciuto)
  • Z 547, Canzone, "We reap all the pleasures" (Sconosciuto)

Musica teatrale [Z 570–613]Modifica

  • Z 570, Musica di sottofondo, Abdelazer or The Moor's Revenge (1695)
    • Mov. 1, Overture
    • Suite
      • Mov. 2, Rondeau
      • Mov. 3, Aria
      • Mov. 4, Aria
      • Mov. 5, Minuetto
      • Mov. 6, Aria
      • Mov. 7, Giga
      • Mov. 8, Hornpipe
      • Mov. 9, Aria
    • Mov. 10, Canto, "Lucinda is bewitching fair"
  • Z 571, Musica di sottofondo, A Fool's Preferment o The Three Dukes of Dunstable (1688)
    • Mov. 1, Canto, "I sigh'd, and I pin'd"
    • Mov. 2, Canto, "There's nothing so fatal as woman"
    • Mov. 3, Canto, "Fled is my love"
    • Mov. 4, Canto, "'Tis death alone"
    • Mov. 5, Canto, "I'll mount to yon blue Coelum"
    • Mov. 6, Canto, "I'll sail upon the Dog-star"
    • Mov. 7, Canto, "Jenny, 'gin you can love"
    • Mov. 8, Canto, "If thou wilt give me back my love"
  • Z 572, Musica di sottofondo, Amphitryon o The Two Sosias (1690) – [I Movimenti numero 3–9 non sono ufficiali, c'è un movimento perduto fra il 2 e l'11]
    • Mov. 1, Overture
    • Mov. 2, Sarabanda
    • Mov. 3, Canto, "Celia, that I once was blest"
    • Mov. 4, Hornpipe
    • Mov. 5, Musica scozzese
    • Mov. 6, Canto, "For Iris I sigh"
    • Mov. 7, Aria
    • Mov. 8, Minuetto
    • Mov. 9, Hornpipe
    • Mov. 11, Canto, "Fair Iris and her swain"
    • Mov. 12, Bourrée
  • Z 573, Musica di sottofondo, Aureng-Zebe o The Great Mogul (1692)
    • Mov. 1, Canto, "I see, she flies me"
  • Z 574, Musica di sottofondo, Bonduca o The British Heroine (1695) – [I Moviment n. 2–7 non sono ufficiali, ci sono due movimenti persi fra l'1 e il 10]
    • Mov. 1, Overture
    • Suite
      • Mov. 2, Aria
      • Mov. 3, Hornpipe
      • Mov. 4, Aria
      • Mov. 5, Hornpipe
      • Mov. 6, Aria
      • Mov. 7, Minuetto
    • Mov. 10, Ritornello, "Jack, thou'rt a toper"
    • Mov. 11, Preludio e Canzone, "Hear us great Rugwith"
    • Mov. 12, Canto, "Hear, ye Gods of Britain"
    • Mov. 13, Canto, "Sing, sing, ye Druids"
    • Mov. 14, Canto, "Divine Andate, president of war"
    • Mov. 15, Sinfonia e canzone, "To arms"
    • Mov. 16, Preludio e Canzone, "Britons strike home!"
    • Mov. 17, Preludio e Canzone, "O lead me to some peaceful gloom"
  • Z 575, Musica di sottofondo, Circe (1690)
    • Mov. 1, Preludio e Canzone, "We must assemble by a sacrifice"
    • Mov. 2, Canto, "Their necessary aid you use"
    • Mov. 3, Canto, "Come every demon"
    • Mov. 4, Canto, "Lovers, who to their first embraces go"
    • Mov. 5, Canto, "Magician's Dance"
    • Mov. 6, Canto, "Pluto arise!"
  • Z 576, Musica di sottofondo, Cleomenes, the Spartan Hero (1692)
    • Mov. 1, Canto, "No, no, poor suff'ring heart"
  • Z 577, Musica di sottofondo, Distressed Innocence o The Princess of Persia (1694) – [Ci sono due elenchi di movimenti alternativi per la Suite]
    • Mov. 1, Overture
    • Suite
      • Mov. 2, Aria (o Giga)
      • Mov. 3, Aria lenta (o Rondeau)
      • Mov. 4, Aria
      • Mov. 5, Hornpipe (o Minuetto)
  • Z 578, Musica di sottofondo, Don Quixote (1694–95)
    • Mov. 1, Canto, "Sing all ye Muses"
    • Mov. 2, Canto, "When the world first knew creation"
    • Mov. 3, Canto, "Let the dreadful engines"
    • Mov. 4, Preludio
    • Mov. 5, Canto, "With this sacred charming wand"
    • Mov. 6, Canto, "Since times are so bad"
    • Mov. 7, Preludio e Canzone, "Genius of England"
    • Mov. 8, Canto, "Lads and Lasses, blith and gay"
    • Mov. 9, Canto, "From rosie bow'rs"
  • Z 579, Musica di sottofondo, Epsom Wells (1693)
    • Mov. 1, Canto, "Leave these useless arts"
  • Z 580, Musica di sottofondo, Henry the Second, King of England (1692)
    • Mov. 1, Canto, "In vain, 'gainst Love, in vain I strove"
  • Z 581, Musica di sottofondo, The History of King Richard the Second o The Sicilian Usurper (1681)
    • Mov. 1, Canto, "Retir'd from any mortal's sight"
  • Z 582, Musica di sottofondo, Love Triumphant o Nature Will Prevail (1693)
    • Mov. 1, Canto, "How happy's the husband"
  • Z 583, Musica di sottofondo, Oedipus (1692)
    • Mov. 1, Preludio e Canzone, "Hear, ye sullen powers below"
    • Mov. 2, Canto, "Music for a while"
    • Mov. 3, Canto, "Come away, do not stay"
    • Mov. 4, Canto, "Laius! Hear, hear"
  • Z 584, Musica di sottofondo, Oroonoko (1695)
    • Mov. 1, Canto, "Celemene, pray tell me"
  • Z 585, Musica di sottofondo, Pausanias, the Betrayer of his Country (1695)
    • Mov. 1, Canto, "Sweeter than roses"
    • Mov. 2, Canto, "My dearest, my fairest"
  • Z 586, Musica di sottofondo, Regulus o The Faction of Carthage (1692)
    • Mov. 1, Canto, "Ah me! to many deaths"
  • Z 587, Musica di sottofondo, Rule a Wife and Have a Wife (1693)
    • Mov. 1, Canto, "There's not a swain"
  • Z 588, Musica di sottofondo, Sir Anthony Love o The Rambling Lady (1692)
    • Mov. 1, Overture
    • Mov. 2, Preludio e Canzone, "Pursuing Beauty"
    • Mov. 3, Canto, "No more, Sir, no more"
    • Mov. 4, Canto, "In vain Clemene"
    • Mov. 5, Ground
  • Z 589, Musica di sottofondo, Sir Barnaby Whigg o No Wit Like a Woman's (1681)
    • Mov. 1, Canto, "Blow, blow, Boreas, blow"
  • Z 590, Musica di sottofondo, Sophonisba o Hannibal's Overthrow (1685)
    • Mov. 1, Canto, "Beneath the poplar's shadow"
  • Z 591, Musica di sottofondo, The Canterbury Guests o A Bargain Broken (1694)
    • Mov. 1, Canto, "Good neighbor why?"
  • Z 592, Musica di sottofondo, The Double Dealer (1693)
    • Mov. 1, Overture
    • Suite
      • Mov. 2, Hornpipe
      • Mov. 3, Minuetto
      • Mov. 4, Aria
      • Mov. 5, Hornpipe
      • Mov. 6, Minuetto
      • Mov. 7, Minuetto
      • Mov. 8, Aria
      • Mov. 9, Aria
    • Mov. 10, Canto, "Cynthia frowns"
  • Z 594, Musica di sottofondo, The English Lawyer (1685)
    • Mov. 1, Ritornello, "My wife has a tongue"
  • Z 595, Musica di sottofondo, The Fatal Marriage o The Innocent Adultery (1694)
    • Mov. 1, Canto, "The danger is over"
    • Mov. 2, Canto, "I sigh'd and owned my love"
  • Z 596, Musica di sottofondo, The Female Virtuosos (1693)
    • Mov. 1, Canto, "Love, thou art best"
  • Z 597, Musica di sottofondo, The Gordian Knot Unty'd (1691) – [I numeri dei movimenti per la Suite non sono ufficiali, c'è un movimento perso da questa]
    • Mov. 1, Overture
    • Suite
      • Mov. 2, Aria
      • Mov. 3, Rondeau Minuetto
      • Mov. 4, Aria
      • Mov. 5, Giga
      • Mov. 6, Chaconne
      • Mov. 7, Aria
      • Mov. 8, Minuetto
  • Z 598, Musica di sottofondo, The Indian Emperor o The Conquest of Mexico (1691)
    • Mov. 1, Canto, "I look'd and saw within"
  • Z 599, Musica di sottofondo, The Knight of Malta (1691)
    • Mov. 1, Ritornello, "At the close of the ev'ning"
  • Z 600, Musica di sottofondo, The Libertine o The Libertine Destroyed (1692)
    • Mov. 1, Canto, "Nymphs and shepherds/We come"
    • Mov. 2, Preludio e Canzone, "Prepare, prepare, new guests draw near"
    • Mov. 3, Preludio e Canzone, "To arms, heroic prince"
  • Z 601, Musica di sottofondo, The Maid's Last Prayer o Any Rather Than Fail (1693)
    • Mov. 1, Canto, "Though you make no return"
    • Mov. 2, Canto, "No, resistance is but vain"
    • Mov. 3, Canto, "Tell me no more"
  • Z 602, Musica di sottofondo, The Marriage-hater Match'd (1693)
    • Mov. 1, Canto, "As soon as the chaos"
    • Mov. 2, Canto, "How vile are the sordid intregues"
  • Z 603, Musica di sottofondo, The Married Beau o The Curious Impertinent (1694)
    • Mov. 1, Overture
    • Suite
      • Mov. 2, Aria lenta
      • Mov. 3, Hornpipe
      • Mov. 4, Aria
      • Mov. 5, Hornpipe
      • Mov. 6, Giga
      • Mov. 7, Aria per tromba
      • Mov. 8, Marcia
      • Mov. 9, Hornpipe on a ground
    • Mov. 10, Canto, "See! where repenting Celia lyes"
  • Z 604, Musica di sottofondo, The Massacre of Paris (1693)
    • Mov. 1, Canto, "Thy genius, lo"
  • Z 605, Musica di sottofondo, The Mock Marriage (1695)
    • Mov. 1, Canto, "Oh! how you protest"
    • Mov. 2, Canto, "'Twas within a furlong"
    • Mov. 3, Canto, "Man is for the woman made"
  • Z 606, Musica di sottofondo, Theodosius o The Force of Love (1680)
    • Mov. 1, Canto, "Prepare, prepare, the rites begin"
    • Mov. 2, Canto, "Can'st thou, Marina"
    • Mov. 3, Canto, "The gate to bliss"
    • Mov. 4, Preludio e canzone "Hark! Hark! behold the heav'nly choir"
    • Mov. 5, Canto, "Now the fight's done"
    • Mov. 6, Canto, "Sad as death at dead of night"
    • Mov. 7, Canto, "Dream no more of pleasures past"
    • Mov. 8, Canto, "Hail to the myrtle shade"
    • Mov. 9, Canto, "Ah cruel, bloody fate"
  • Z 607, Musica di sottofondo, The Old Bachelor (1691)
    • Mov. 1, Overture
    • Suite
      • Mov. 2, Hornpipe
      • Mov. 3, Aria lenta
      • Mov. 4, Hornpipe
      • Mov. 5, Rondeau
      • Mov. 6, Minuetto
      • Mov. 7, Boree
      • Mov. 8, Marcia
      • Mov. 9, Giga
    • Mov. 10, Canto, "Thus to a ripe, consenting maid"
    • Mov. 11, Canto, "As Amoret and Thyrsis lay"
  • Z 608, Musica di sottofondo, The Richmond Heiress o A Woman Once in the Right (1691) – [Movimenti 2 e 3 persi, entrambe le Canzoni, titoli sconosciuti]
    • Mov. 1, Canto, "Behold the man"
  • Z 609, Musica di sottofondo, The Rival Sisters o The Violence of Love (1695) – [La Suite è persa]
    • Mov. 1, Overture
    • Suite (Movimenti 2–9)
    • Mov. 10, Canto, "Celia has a thousand charms"
    • Mov. 11, Canto, "Take not a woman's anger ill"
    • Mov. 12, Canto, "How happy, how happy is she"
  • Z 610, Musica di sottofondo, The Spanish Friar o The Double Discovery (1694–95)
    • Mov. 1, Canto, "Whilst I with grief"
  • Z 611, Musica di sottofondo, The Virtuous Wife o Good Luck at Last (1694) – [Uno dei movimenti della suite è perao]
    • Mov. 1, Overture
    • Suite
      • Mov. 2, Song tune
      • Mov. 3, Aria lenta
      • Mov. 4, Aria
      • Mov. 5, Preludio
      • Mov. 6, Hornpipe
      • Mov. 7, Minuetto
      • Mov. 8, Minuetto
  • Z 612, Musica di sottofondo, The Wives' Excuse o Cuckolds Make Themselves (1691)
    • Mov. 1, Canto, "Ingrateful love!"
    • Mov. 2, Canto, "Hang this whining way of wooing"
    • Mov. 3, Canto, "Say, cruel Amoret"
    • Mov. 4, Canto, "Corinna, I excuse thy face"
  • Z 613, Musica di sottofondo, Tyrannic Love o The Royal Martyr (1694)
    • Mov. 1, Canto, "Hark! my Damilcar!"
    • Mov. 2, Canto, "Ah! how sweet it is to love"

Opere [Z 626–632]Modifica

  • Z 626, Opera, Dido and Aeneas (by 1688)
    • Mov. 1, Overture
    • Act 1
      • Mov. 2a, Aria, "Shake the cloud from off your brow"
      • Mov. 2b, Coro, "Banish sorrow, banish care"
      • Mov. 3, Aria and Ritornello, "Ah! Belinda, I am prest with torment"
      • Mov. 4, Duetto (dialogo), "Grief increases by concealing"
      • Mov. 5, Coro, "When monarchs unite"
      • Mov. 6, Trio (dialogo), "Whence could so much virtue spring?"
      • Mov. 7, Duetto e Coro, "Fear no danger"
      • Mov. 8, Trio (dialogo), "See, your royal guest appears"
      • Mov. 9, Coro (dialogo), Cupid only throws the dart"
      • Mov. 10, Aria, "If not for mine"
      • Mov. 11, Preludio ed Aria, "Pursue thy conquest, love"
      • Mov. 12, Coro, "To the hills and the vales"
      • Mov. 13, Danza – La danza trionfante
    • Act 2
      • Mov. 14, Preludio ed Aria, "Wayward sisters"
      • Mov. 15, Coro, "Harm's our delight"
      • Mov. 16, Aria, "The queen of Carthage, whom we hate"
      • Movts. 17 – 20, Coro e Dialogo, "Ho ho ho!"
      • Mov. 21, Coro, "In our deep vaulted cell"
      • Mov. 22, "Echo dance of the furies"
      • Mov. 23, Ritornello
      • Mov. 24a – b, Aria and Coro, "Thanks to these lonesome vales"
      • Mov. 24c, Dance – Gittar ground
      • Mov. 25a, Aria, "Oft she visits this lone mountain"
      • Mov. 25b, Ritornello, "A Dance to entertain Aeneas by Dido's Women"
      • Mov. 26, Aria, "Behold, upon my bended spear"
      • Mov. 27, Aria eCoro, Coro, "Haste, haste to town"
      • Mov. 28, Duet (dialogue), "Stay, Prince"
    • Act 3
      • Mov. 29, Preludio ed Aria, "Come away, fellow sailors"
      • Mov. 30, Dance – The sailor's dance
      • Mov. 31, Trio (dialogue), "See the flags and the streamers curling"
      • Mov. 32, Aria, "Our next motion"
      • Mov. 33, Coro, " Destruction's our delight"
      • Mov. 34, Dance – The witches' dance
      • Mov. 35a, Aria, "Your counsel all is urg'd in vain"
      • Mov. 35b, Trio (dialogue), "See, madam where the Prince appears"
      • Mov. 36, Coro, "Great minds against themselves conspire"
      • Mov. 37, Aria, "Thy hand Belinda, darkness shades me"
      • Mov. 38, Ground, Aria and Ritornello, "When I am laid in earth"
      • Mov. 39, Coro, "With drooping wings"
      • Mov. 40, Epilogue, "All that we know the angels do above"
  • Z 627, Semi-Opera, Prophetess or The History of Dioclesian or Dioclesian (1690)
    • Mov. 1, 1st Music
    • Mov. 2, 2nd Music
    • Mov. 3, Overture
    • Mov. 4, 1st Act Tune (Hornpipe)
    • Act 2
      • Mov. 5, Preludio, Aria e Coro, "Great Diocles the boar has killed"
      • Mov. 6, Preludio ed Aria, "Charon, the peaceful shade invites"
      • Mov. 7, Symphony
      • Mov. 8, Duetto e Coro, "Let all mankind the pleasures share"
      • Mov. 9, Preludio aria e coro, "Let the soldier's rejoice"
      • Mov. 10, Ritornello
      • Mov. 11, Trio and Chorus, "To Mars let 'em raise"
      • Mov. 12, Ritornello
      • Mov. 13a, Preludio – Una sinfonia di flauti nell'aria
      • Mov. 13b – c, Aria and Chorus, "Since the toils and hazards of war"
      • Mov. 13d, Aria and Ritornello, "With dances and songs"
      • Mov. 13e, Quartet and Chorus, "Let the priests with processions"
      • Mov. 14, Dance of the Furies
      • Mov. 15, 2nd Act Tune
    • Act 3
      • Mov. 16, Chaconne (Two in one upon a Ground)
      • Mov. 16 (App 1), Aria, "When first I saw"
      • Mov. 17, Dance – The Chair Dance
      • Mov. 18, Preludio ed aria, "What shall I do"
      • Mov. 19, 3rd Act Tune
    • Act 4
      • Mov. 20, Dance – Butterfly Dance
      • Mov. 21, Trumpet Tune
      • Mov. 22–23, Aria and Chorus, "Sound Fame"
      • Mov. 24, 4th Act Tune
    • Act 5
      • Mov. 25, Dance – Country Dance
      • Mov. 26, Prelude and Masque, "Call the Nymphs and the fauns"
      • Mov. 27, Duet, "Come, come away"
    • First Entry
      • Mov. 28, Prelude and Chorus, "Behold, O mightiest of gods"
      • Mov. 29, Paspe
      • Mov. 30, Duet, "O, the sweet delights of love"
      • Mov. 31, Aria and Chorus, "Let monarchs fight"
      • Mov. 31 (App 2), Aria, "Since from my dear Astrea's sight"
    • Second Entry
      • Mov. 32a, Prelude
      • Mov. 32b, Duet, "Make room for the great god of wine"
      • Mov. 32c, Coro, "I'm here with my jolly crew"
      • Mov. 32d, Dance – Dance of the Baccanals
      • Mov. 33, Aria and Ritornello, "Still I'm wishing"
    • Third Entry
      • Mov. 34, "Canaries"
      • Mov. 35, Duet (dialogue), "Tell me why my charming fair"
    • Fourth Entry
      • Mov. 36, Dance
      • Mov. 37, Aria and Chorus, "All our days"
      • Mov. 37 (App 3), Aria, "Let us dance"
      • Mov. 38, Trio, "Triumph, victorious love"
      • Mov. 39, Chorus
  • Z 628, Semi-Opera, King Arthur or The British Worthy (1691)
    • Mov. 1, 1st Music
    • Mov. 2, 2nd Music
    • Mov. 3, Aria
    • Mov. 4, Overture
    • Mov. 5, Preludio ed aria, "Woden, first to thee"
    • Mov. 6, Aria, "The white horse"
    • Mov. 7–8, Preludio, aria e coro, "Brave Souls"
    • Mov. 9, Aria, "I call ye all to Woden's hall"
    • Mov. 10, Symphony, Aria and Chorus, "Come if you dare"
    • Mov. 11, 1st Act Tune
    • Act 2
      • Mov. 12, Preludio ed aria, "Hither this way bend"
      • Mov. 13, Aria, Ritornello, "Let not a moon-born Elf"
      • Mov. 14, Dialogue and Chorus, "Come follow me"
      • Mov. 15, Dance, Aria and Chorus, "How blest are Shepherds"
      • Mov. 16, Symphony and Duet (dialogue), "Shepherd, leave decoying"
      • Mov. 17, Chorus and Hornpipe, "Come Shepherds"
      • Mov. 18, 2nd Act Tune
    • Act 3
      • Mov. 19, Preludio ed aria, "What ho"
      • Mov. 20, Preludio ed aria, "What power art thou"
      • Mov. 21, Aria, "Thou doting fool forbear"
      • Mov. 22, Aria, "Great love"
      • Mov. 23, Aria, "No part"
      • Mov. 24, Prelude, Chorus and Dance, "See, see"
      • Mov. 25, Aria, Ritornello and Chorus, "Tis I, that have warn'd ye"
      • Mov. 26, Prelude and Duet, "Sound a Parley"
      • Mov. 27, Aria, Ritornello and Chorus, "Tis I, that have warn'd ye"
      • Mov. 28, 3rd Act Tune (Aria)
    • Act 4 (Scene 2)
      • Mov. 29, Duet, "Two Daughters"
      • Mov. 30a, Passacaglia
      • Mov. 30b–d, Aria, Ritornello and Chorus, "How happy the Lover"
      • Mov. 30e–i, Dialogue and Chorus, "No, no joy"
      • Mov. 31, 4th Act Tune
    • Act 5 (Scene 2)
      • Mov. 32a, Prelude (Trumpet Tune)
      • Mov. 32b–c, Aria, "Ye Blust'ring Brethren"
      • Mov. 33, Symphony
      • Mov. 34, Duet and Chorus, "Round thy coasts"
      • Mov. 35a, Aria, "You say tis love"
      • Mov. 35b–c, Aria and Chorus, "This not my passion"
      • Mov. 35d–e, Aria and Chorus, "But one soft moment"
      • Mov. 36, Duet, "For folded flocks"
      • Mov. 37, Aria and Chorus, "Your hay is mown"
      • Mov. 38, Aria, "Fairest Isle"
      • Mov. 39, Coro, "St George"
      • Mov. 40, 5th Act Tune (Chaconne)
  • Z 629, Semi-Opera, La regina delle fate (1692)
    • Mov. 1, 1st Music (Prelude and Hornpipe)
    • Mov. 2, 2nd Music (Aria and Rondeau)
    • Mov. 3, Overture (Grave and Canzona)
    • Act 1
      • Mov. 4, Preludio ed aria, "Come, come, come, let us leave the town"
      • Mov. 5, Preludio, aria e coro, "Fill up the bowl!"
      • Mov. 6, 1st Act Tune (Giga)
    • Act 2
      • Mov. 7, Preludio ed aria, "Come all ye songsters of the sky"
      • Mov. 8a, Prelude
      • Mov. 8b, Trio, "May the god of wit inspire"
      • Mov. 8c, Echo
      • Mov. 9, Coro, "Now joyn your warbling voices all"
      • Mov. 10a–b, Aria and Chorus, "Sing while we trip it on the green"
      • Mov. 10c, A dance of the fairies
      • Mov. 11, Preludio ed aria, "See even Night herself is here"
      • Mov. 12, Aria, "I am come to lock all fast"
      • Mov. 13, Preludio ed aria, "One charming night"
      • Mov. 14, Aria and Chorus, "Hush, no more, be silent all"
      • Mov. 15, Dance – A dance for the followers of the night
      • Mov. 16, 2nd Act Tune (Aria)
    • Act 3
      • Mov. 17, Preludio, aria e coro, "If love's a sweet passion"
      • Mov. 18, Overture – Symphony while the swans come forward
      • Mov. 19, Dance – Dance for the fairies
      • Mov. 20, Dance – Dance for the green men
      • Mov. 21, Aria, "Ye gentle spirits of the air appear"
      • Mov. 22, Aria, "Now the maids and the men"
      • Mov. 23, Aria, "When I have often heard"
      • Mov. 24a, Dance – A dance of haymakers
      • Mov. 24b, Dance – Dance for a clown
      • Mov. 25, Aria and Chorus, "A thousand thousand ways we'll find"
      • Mov. 26, 3rd Act Tune (Hornpipe)
    • Act 4
      • Mov. 27, Symphony – Sonata while the sun rises
      • Mov. 28, Aria and Chorus, "Now the night is chas'd away"
      • Mov. 29, Duet, "Let the fifes, and the clarions"
      • Mov. 30, Entrata di Apollo
      • Mov. 31, Preludio ed aria, "When a cruel long winter"
      • Mov. 32, Coro, "Hail! Great parent of us all"
      • Mov. 33, Preludio ed aria, "Thus the ever grateful spring"
      • Mov. 34, Preludio ed aria, "Here's the summer, sprightly, gay"
      • Mov. 35, Preludio ed aria, "See my many colour'd fields"
      • Mov. 36, Preludio ed aria, "Next, winter comes slowly"
      • Mov. 37, Coro, "Hail! Great parent of us all"
      • Mov. 38, 4th Act Tune (Aria)
    • Act 5
      • Mov. 39a, Prelude to Juno's song
      • Mov. 39b–c, Aria, "Thrice happy lovers"
      • Mov. 40, Aria, "O let me weep"
      • Mov. 41, Dance – Entry dance
      • Mov. 42, Symphony
      • Mov. 43, Aria, "Thus the gloomy world st first began to shine"
      • Mov. 44, Preludio, aria e coro, "Thus happy and free"
      • Mov. 45, Ground and Aria, "Yes, Daphne, in your looks I find"
      • Mov. 46, Dance – Monkey's dance
      • Mov. 47, Preludio ed aria, "Hark how all things in one sound agree"
      • Mov. 48, Aria and Chorus, "Hark! Now the echoing air"
      • Mov. 49, Duet and Chorus, "Sure the dull god of marriage"
      • Mov. 50a, Prelude
      • Mov. 50b, Aria, "See, see, I obey"
      • Mov. 50c, Duet, "Turn then thine eyes"
      • Mov. 50d, Aria, "My torch, indeed will from such brightness shine"
      • Mov. 50e–f, Trio, "They shall be as happy
      • Mov. 51, Chaconne – Dance for the Chinese man and woman
  • Z 630, Semi-Opera, The Indian Queen (1695)
    • Mov. 1, 1st Music, (Aria and Hornpipe)
    • Mov. 2, 2nd Music, (Aria and Hornpipe)
    • Mov. 3, Overture, (Grave and Canzon)
    • Prologue
      • Mov. 4a, Trumpet Tune
      • Mov. 4b, Aria, "Wake Quivera, wake"
      • Mov. 4c, Prelude
      • Mov. 4d, Aria, "Why should men quarrel"
    • Act 2
      • Mov. 5, Symphony
      • Mov. 6, Aria and Chorus, "I come to sing great Zempoalla's story"
      • Mov. 7, Trio, "What flatt'ring noise is this"
      • Mov. 8, Trumpet tune
      • Mov. 9, Symphony
      • Mov. 10, Dance
      • Mov. 11, 2nd Act Music (Trumpet Tune reprise)
    • Act 3
      • Mov. 12, Dance
      • Mov. 13, Aria, "Ye twice ten hundred deities"
      • Mov. 14, Symphony
      • Mov. 15, Aria, "Seek not to know what must not be reveal'd"
      • Mov. 16, Trumpet Overture (Canzon and Adagio)
      • Mov. 17a, Duet and Quartet, "Ah! Ah! How happy are we!"
      • Mov. 18, 3rd Act Tune (Rondeau)
      • Mov. 19, Aria, "They tell us that you mighty powers above"
      • Mov. 20, 4th Act Tune
      • Mov. 21a, Prelude and Chorus, "While thus we bow before your shrine"
      • Mov. 21b, Aria, "You who at the altar stand"
      • Mov. 21c, Prelude
      • Mov. 21d, Coro, "All dismal sounds thus on these off'rings wait"
      • Mov. 22, Aria
  • Z 631, Semi-Opera, The Tempest or The Enchanted Island (c. 1695)
    • Mov. 1, Overture (Grave and Canzon)
    • Act 2
      • Mov. 2, Duet (dialogue) and Chorus, "Where does the black fiend Ambition reside"
      • Mov. 3, Preludio ed aria, "Arise, ye subterranean winds"
      • Mov. 4, Dance
    • Act 3
      • Mov. 5, Aria and Chorus, "Come unto these yellow sands"
      • Mov. 6, Preludio, aria e coro, "Full fathom five"
      • Mov. 7, Aria and Ritornello, "Dry those eyes"
      • Mov. 8, Preludio ed aria, "Kind fortune smiles"
    • Act 4
      • Mov. 9, Dance – Dance of devils
      • Mov. 10, Aria, "Dear pretty youth"
    • Act 5
      • Mov. 11a, Recitative, "Great Neptune!"
      • Mov. 11b–d, Aria and Ritornello, "Fair and serene"
      • Mov. 12, Chorus and Ritornello, "The Nereids and the Tritons"
      • Mov. 13, Aria, "Aeolus, you must appear"
      • Mov. 14, Aria, "Your awful voice I hear"
      • Mov. 15, Preludio ed aria, "Halcyon days"
      • Mov. 16, Preludio ed aria, "See, see, the heavens smile"
      • Mov. 17, Duet and Chorus, "No stars again shall hurt you"
  • Z 632, Semi-Opera, Timon of Athens (1694)
    • Mov. 1, Overture
    • The Masque
      • Mov. 2, Duet, "Hark! how the songsters of the grove"
      • Mov. 3, Aria, "Love in their little veins inspires"
      • Mov. 4, Trio, "But ah! how much are our delights"
      • Mov. 5, Aria, "Hence! Hence! Hence with your trifling deity"
      • Mov. 6, Coro, "But over us no griefs prevail"
      • Mov. 7, Aria, "Come all to me"
      • Mov. 8, Coro, "Who can resist such mighty, mighty charms"
      • Mov. 9, Aria, "Return, revolting rebels"
      • Mov. 10, Aria, "The cares of lovers"
      • Mov. 11, Aria, Love quickly is pall'd"
      • Mov. 12, Duet and Chorus, "Come, let us agree"
      • Mov. 13, Curtain Tune on a Ground

Musiche strumentali [Z 641–860]Modifica

  • Z 641, Aria in sol maggiore (Sconosciuto)
  • Z 642, Almand and Corant in la minore (Sconosciuto)
  • Z 644, Corant in sol maggiore (Sconosciuto)
  • Z 645, Ground on Gamut in sol maggiore (Sconosciuto)
  • Z 646, A New Irish Tune in sol maggiore (1687)
  • Z 647, March in do maggiore (1687)
  • Z 648, March in do maggiore (1687)
  • Z 649, Minuetto in la minore (1687)
  • Z 650, Minuetto in la minore (1687)
  • Z 651, Minuetto in sol maggiore (Sconosciuto)
  • Z 652, Prelude in la minore (Sconosciuto)
  • Z 653, Rigadoon in do maggiore (1687)
  • Z 654, Sarabanda in la minore (Sconosciuto)
  • Z 655, A New Musica scozzese in sol maggiore (1687)
  • Z 656, Sefauchi's Farewell in re minore (1687)
  • Z 660, Suite in sol maggiore (1696)
  • Z 661, Suite in sol minore (1696)
  • Z 662, Suite in sol maggiore (1696)
  • Z 663, Suite in la minore (1696)
  • Z 665, Suite in do maggiore (1687)
  • Z 666, Suite in do maggiore (1696)
  • Z 667, Suite in re maggiore (1696)
  • Z 668, Suite in re minore (1696)
  • Z 669, Suite in fa maggiore (1696)
  • Z 670, The Queen's Dolour in la minore (Sconosciuto)
  • Z 716, Verse in fa maggiore (Sconosciuto)
  • Z 717, Voluntary in do maggiore (Sconosciuto)
  • Z 718, Voluntary in re minore (Sconosciuto)
  • Z 719, Voluntary in re minore (Sconosciuto)
  • Z 720, Voluntary in sol maggiore (Sconosciuto)
  • Z 721, Voluntary in la maggiore on the 100th Psalm (Sconosciuto)
  • Fantasies and In nomines (1680)
    • Z 730, Chacony in sol minore
    • Z 731, Fantasy upon a Ground in re maggiore/F major
    • Z 732, Fantasy in re minore
    • Z 733, Fantasy in fa maggiore
    • Z 734, Fantasy in sol minore
    • Z 735, Fantasy in sol minore
    • Z 736, Fantasy in si-diesis maggiore
    • Z 737, Fantasy in fa maggiore
    • Z 738, Fantasy in do minore
    • Z 739, Fantasy in re minore
    • Z 740, Fantasy in la minore
    • Z 741, Fantasy in mi minore
    • Z 742, Fantasy in sol maggiore
    • Z 743, Fantasy in re minore
    • Z 744, Fantasy in la minore (incomplete)
    • Z 745, Fantasy upon One Note in fa maggiore
    • Z 746, In Nomine in sol minore
    • Z 747, In Nomine, Dorian, in sol minore
  • Z 748, Pavan in la maggiore (1680)
  • Z 749, Pavan in la minore (1680)
  • Z 750, Pavan in si-diesis maggiore (1680)
  • Z 751, Pavan in sol minore (1680)
  • Z 752, Pavan in sol minore (1680)
  • Z 770, Overture in sol minore (1680) – [This Z number is shared by a Suite in sol maggiore]
  • Z 771, Overture in re minore (Sconosciuto)
  • Z 772, Overture in sol minore (Sconosciuto)
  • Z 780, Trio Sonata in sol minore (Sconosciuto)
  • Twelve Sonatas in Three Parts (c. 1680)
    • Z 790, Trio Sonata in sol minore
    • Z 791, Trio Sonata in si-diesis maggiore
    • Z 792, Trio Sonata in re minore
    • Z 793, Trio Sonata in fa maggiore
    • Z 794, Trio Sonata in la minore
    • Z 795, Trio Sonata in do maggiore
    • Z 796, Trio Sonata in mi minore
    • Z 797, Trio Sonata in sol maggiore
    • Z 798, Trio Sonata in do minore
    • Z 799, Trio Sonata in la maggiore
    • Z 800, Trio Sonata in fa minore
    • Z 801, Trio Sonata in re maggiore
  • Ten Sonatas in Four Parts (c. 1680)
    • Z 802, Trio Sonata in si minore
    • Z 803, Trio Sonata in mi-diesis maggiore
    • Z 804, Trio Sonata in la minore
    • Z 805, Trio Sonata in re minore
    • Z 806, Trio Sonata in sol minore
    • Z 807, Trio Sonata in sol minore
    • Z 808, Trio Sonata in do maggiore
    • Z 809, Trio Sonata in sol minore
    • Z 810, Trio Sonata in fa maggiore
    • Z 811, Trio Sonata in re maggiore
  • Z 850, Sonata in re maggiore (1694)

Funeral Sentences e Musica per il funerale della regina Maria [Z 860]Modifica

Opere con codice Z non-standard [ZD-ZT]Modifica

  • ZD 4, Verse Anthem, "O god, they that love thy name" (Sconosciuto)
  • ZD 171, Canto, "A Poor blind woman" (Sconosciuto)
  • ZD 172, Canto, "When the cock begins to crow" (Sconosciuto)
  • ZD 221, Keyboard Ground in do minore (Sconosciuto)
  • ZD 222, Keyboard Ground in re minore (Sconosciuto)
  • ZD 201, Canto, "When night her purple veil had softly spread" (Sconosciuto)
  • ZN 66, Verse Anthem, "If the Lord himself" (Sconosciuto)
  • ZN 773, Keyboard Prelude in sol minore/D minor (Sconosciuto)
  • ZS 69, Canto, "Sweet tyranness, I now resign" (1667)
  • ZS 70, Canto, "Sweet tyranness, I now resign" (1678) – [Solo versione of ZS 69]

Nota: Tutti quelli che seguono sono pezzi per clavicembalo

  • ZT 675, Aria in re minore (Sconosciuto)
  • ZT 676, Aria in re minore (Sconosciuto)
  • ZT 677, Canary in si-diesis maggiore (Sconosciuto)
  • ZT 678, Trumpet Tune in do maggiore (1696)
  • ZT 680, Chaconne in sol minore (1696)
"A New Ground" (info file)
ZT 682 - Arrangiamento contemporaneo
  • ZT 681, Ground in do minore (Sconosciuto)
  • ZT 682, A New Ground in mi minore (1687)
  • ZT 683, Hornpipe in si-diesis maggiore (Sconosciuto)
  • ZT 684, Hornpipe in re minore (Sconosciuto)
  • ZT 685, Hornpipe in mi minore (Sconosciuto)
  • ZT 686, Giga in sol minore (1696)
  • ZT 687, March in do maggiore (1696)
  • ZT 688, Minuetto in re minore (1687)
  • ZT 689, Minuetto in re minore (1687)
  • ZT 690, Overture in do minore (Sconosciuto)
  • ZT 691, Overture in re maggiore (Sconosciuto)
  • ZT 692, Overture in re maggiore (Sconosciuto)
  • ZT 693/1, Overture in sol minore (Sconosciuto)
  • ZT 693/2, Aria in sol minore (Sconosciuto)
  • ZT 694, Song Tune in do maggiore (1687)
  • ZT 695, Song Tune in do maggiore (1687)
  • ZT 696/1, Aria in re minore (Sconosciuto) – [2° versione della ZT 675]
  • ZT 696/2, Aria in re minore (Sconosciuto)
  • ZT 697, Trumpet Tune in do maggiore (1696)
  • ZT 698, Trumpet Tune in do maggiore (1696)

Opere senza codice ZModifica

  • Full Anthem, "I was glad when they said unto me" (originariamente attribuita a John Blow) (1685)
  • Aria per clavicembalo in fa
  • Preludio per clavicembalo in do (attribuita a Purcell)
  • Clavicembalo Voluntary (attribuita a Purcell)

BibliografiaModifica

  • (EN) Purcell's Works, su oocities.org, Lewis Morton, 2009. URL consultato il 26 febbraio 2016 (archiviato dall'url originale il 22 gennaio 2005).
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