La Esmeralda (balletto): differenze tra le versioni

▲*[[Jules Perrot]] for the [[Imperial Ballet]]. [[Imperial Bolshoi Kamenny Theatre]], [[St. Petersburg]], 2 January 1849. Revived especially for the Ballerina [[Fanny Elssler]]. Cesare Pugni revised his original score for the production.

▲*[[Marius Petipa]] for the Imperial Ballet in 4 acts and 5 scenes. [[Imperial Mariinsky Theatre]], St. Petersburg, 17 December 1886. Revived especially for the Ballerina [[Virginia Zucchi]]. Musical revision and additional ''[[pas]]'' by [[Riccardo Drigo]] — the ''Danse bohème'' for Act I; a ''[[adagio (ballet)|Grand adage]]'' for act 2-scene 1; the ''Danse pour quatre danseuses'' and a ''[[coda (ballet)|Grand coda]]'' for the ''Pas de six'' of act 2-scene 2.) Petipa added additional numbers in 1866 (a ''Pas de deux'' for the Ballerina [[Claudina Cucchi]] that became known as the ''Pas Cucchi'' to the music of Pugni), 1871 (a ''Pas de dix'' for the Ballerina [[Eugenia Sokolova]] to the music of [[Yuli Gerber]]), and 1872 (a ''Pas de cinq'' for the Ballerina [[Adèle Grantzow]] to music by an unknown composer).